Chris D’Elia is an American stand-up comedian and actor known for fast-paced, physical, and riff-heavy comedy that leans on observational bits, absurd act-outs, and playful crowd interaction. Born in 1980 to television producer-director Bill D’Elia, he grew up in Los Angeles after an early childhood in New Jersey, started stand-up in 2006, and has since toured nationally and internationally, building a loyal live following that packs clubs and theaters.
On stage, D’Elia mixes sharp observations about technology, relationships, and everyday awkwardness with elastic facial expressions, sudden shifts in voice, and extended act-outs that turn simple ideas into big, cinematic scenes. He prioritizes spontaneity—reading the room, riffing off audience reactions, and weaving crowd work into prepared material—so no two shows feel the same. Off stage, he hosts the weekly solo podcast “Congratulations,” where he expands on life, culture, and the creative grind, and occasionally records live episodes for fans. A regular at Los Angeles institutions like The Comedy Store, he tests new material relentlessly, then scales it up for theaters, keeping the heartbeat of the act loose, conversational, and highly animated onstage.
His rise accelerated through television and streaming. He co-starred on NBC’s Whitney and Undateable, guest-starred on series like Workaholics, and appeared in Netflix’s You (Season 2) as comedian Henderson, a high-profile role that introduced him to a wider audience. Comedy specials including White Male. Black Comic. (Comedy Central, 2013), Incorrigible (Netflix, 2015), and No Pain (Netflix, 2020) boosted his visibility worldwide, while viral stand-up clips and podcast highlights amplified his reach on social platforms.
D’Elia’s fan community thrives on immediacy: frequent clips, behind-the-scenes snippets from the road, and interactive moments at shows. After a professional hiatus and reassessment in 2020, he returned to stand-up, rebuilding his tour schedule and emphasizing connection in the room—where his quick pivots and live improvisation shine.
If you want the fullest version of what he does, go see it in person. To buy tickets to upcoming dates through our website, use the link provided—See it live – feel the energy! Official accounts: Facebook https://www.facebook.com/chrisdelia | Instagram https://www.instagram.com/chrisdelia/ | YouTube https://www.youtube.com/@chrisdelia | X (Twitter) https://twitter.com/chrisdelia.
Why You Should See Chris D’Elia Live with Chris D’Elia Tickets 2025
Seeing Chris D’Elia live in 2025 is a different experience than streaming a special. In a club or theater, you feel the room tighten during setups and explode during punchlines, with laughter rolling like a wave from row to row. D’Elia’s pacing, faces, and quick pivots work best when you can watch them unfold in real time, and the energy becomes contagious. You’re not listening; you’re part of the rhythm, reacting, clapping, and becoming the spark that steers a bit in a new direction. That unpredictability—plus the shared sense of “we were here when it happened”—turns a funny night into a memorable one you’ll retell for years.
His 2025 Straight Outta The Multiverse tour mixes intimate comedy clubs with grand theaters and even international stops, so the vibe shifts by city. In smaller rooms, you’ll see high-volume crowd work and riffing; in theaters, he delivers longer, polished bits with big act-outs. The set blends fresh material with in-the-moment tangents sparked by phones, front-row reactions, and whatever oddball headline hit that week. Because the show evolves across dates, fans who catch more than one stop often notice different tags, callbacks, and improvised runners, making each night feel like a premiere.
Beyond laughs, there are benefits you only get in the room: spontaneous back-and-forth with fans, occasional surprise openers or drop-ins, and the chance to hear raw bits before they hit a special. Many club dates are late shows, which tend to run looser and weirder. Pricing is accessible across markets: listed entry points convert to about $34–$124 for most U.S. stops, with some premium theater nights around $328 depending on seat location, and plenty in the $55–$86 range. If you like being part of the creative process—and maybe a running joke—this tour rewards showing up.
| Venue | Date | Location | Tickets |
|---|---|---|---|
| Houston Improv | Aug 22, 2025 | Houston, TX, USA | [GET TICKETS]() |
| Houston Improv | Aug 23, 2025 | Houston, TX, USA | [GET TICKETS]() |
| D.A.R. Constitution Hall | Sep 13, 2025 | Washington, DC, USA | [GET TICKETS]() |
| Chateau Neuf (Storsalen) | Oct 5, 2025 | Oslo, Norway | [GET TICKETS]() |
| The Chicago Theatre | Nov 15, 2025 | Chicago, IL, USA | [GET TICKETS]() |
Fans typically praise the fast pace, the animated act-outs, and the way D’Elia riffs with the crowd without losing control of the show. Many mention leaving with sore cheeks, unexpected callbacks that pay off late, and the feeling that their night was genuinely one-of-a-kind. People come back. Chris D’Elia’s 2025 run spans 37 shows across 27 cities, mixing classic American theaters, comedy clubs, and a compact European swing. The itinerary opens August 22–24 with a five-show stand at Houston Improv and closes December 26–27 with four shows at Ontario Improv in Southern California, giving fans options at both ends of the calendar. Between those bookends come prominent theater dates such as D.A.R. Constitution Hall in Washington, DC, the Chicago Theatre, the Byham Theater in Pittsburgh, and Mahalia Jackson Theater in New Orleans, plus arena-style halls like FirstOntario Concert Hall in Hamilton. The international block lands October 5–17 in Oslo, Amsterdam, Frederiksberg in Copenhagen, and London, convenient for European fans who want tighter travel and consecutive dates to minimize costs and time off.
Multiple-night stops anchor the schedule. Houston features two Friday shows, two Saturday shows, and a Sunday closer, a pattern repeated in December at Levity Live Oxnard with four club sets over December 12–13 and at Ontario Improv on December 26–27 for a post-holiday blowout. The fall theater spine runs September 5–27 through Salt Lake City, Boise, Pittsburgh, DC, Tulsa, Springfield, Fort Smith, New Orleans, and Pensacola, hitting a different city most nights. Late October brings Midland and two Hippodromes in the same weekend, with Baltimore’s grand France-Merrick Performing Arts Center and a separate stop in Waco for Texas fans who prefer a more intimate setting. Expect crisp theater production values on these dates and looser, crowd-driven riffing in the club rooms.
Holiday and high-demand moments are clear. Thanksgiving weekend lands at Daytona Beach’s Peabody Auditorium on Saturday, November 29, a beach-adjacent destination that pairs a show with a low-season getaway. Chicago’s mid-November stop at the Chicago Theatre is a perennial favorite for fans who want a classic gilded-room experience, and DC’s D.A.R. Constitution Hall offers excellent sightlines for large crowds without feeling cavernous. Early indicators show rapid movement in several markets: multiple Houston shows and the Baltimore date were flagged with fewer than four percent of tickets remaining, and the Saturday Houston early show dipped below three percent. In practice, that means clubs can sell out days in advance, while big theaters may hold availability slightly longer but still reward early buyers and flexible planners.
Ticket pricing, converted to USD from the listed UAH starting rates, spans a wide range by market and venue type. Entry tiers cluster roughly between about $34 and $328, with Washington, DC around $37, Houston from about $122 to $124 depending on show time, Pittsburgh near $96, New Orleans about $34, Kansas City about $48, Pensacola about $68, Chicago around $62, Waco near $79, Oxnard and Ontario club dates about $86, Hamilton roughly $49, Detroit about $51, and Baltimore at a premium near $328. European rooms are typically seated and moderately priced, while prestige spaces such as Baltimore’s Hippodrome can command premium starts. Expect dynamic pricing and fees to shift these baselines; to save, target weekday shows, late shows on multi-show nights, and mezzanine or rear-orchestra sections.
For travelers, the most efficient clusters are the October 5–17 Europe stretch and the Southern California finale, where Oxnard (Dec 12–13) and Ontario (Dec 26–27) pair neatly with LA flights. Seat picks by venue: at D.A.R. Constitution Hall, choose center orchestra rows 5–12 or front mezzanine; at the Chicago Theatre, target orchestra rows 10–20 or front balcony rows 1–3; at Pittsburgh’s Byham, the front mezzanine overhang delivers clean sightlines; at Mahalia Jackson Theater, avoid extreme-side orchestra under the balcony; at Pensacola’s Saenger, center orchestra rows 5–15 shine; in improv clubs, sit a few rows back, centered, to dodge obstructions and hot stage lighting.
Where to buy Chris D’Elia Concert Tickets
The safest, simplest way is to purchase through our official listing page—follow the link on this site and complete checkout there. We aggregate verified primary and trusted resale options, show real-time availability, and display totals in USD before you pay. If you want a direct shortcut, use the call to action on our page: ‘See it live – feel the energy!’ and you’ll land on the correct event. Buying through our link ensures you’re routed to legitimate inventory with secure payment, clear seat maps, and instant order confirmation.
FAQs About Chris D’Elia Tickets Price and Upcoming Events
How much arechris d’elia tickets?
A. Prices vary by city, venue size, and date. Recent listings show clubs around $122–$124 in Houston, theaters near $55–$96 in Boise, Salt Lake City, and Pittsburgh, and lows near $34 in New Orleans. Many markets land around $58–$86 (Midland about $58, Oxnard about $86), while major theater nights can start near $150–$330 (Baltimore about $328). Final checkout shows exact USD and fees.
Do I need to buy Chris D’Elia tickets in advance?
A. Yes—popular weekend slots and small comedy clubs sell out quickly, and prices can rise as inventory shrinks. If you’ve picked a date, secure seats early through our website link to lock the section you want. See it live – feel the energy! Early purchase also helps you avoid dynamic price spikes and last‑row leftovers.
Are there discounts for students, military, or seniors?
A. Sometimes. Discounts are set by venues and promoters, not the tour, and they vary widely. Some theaters offer 5–15% off with a valid ID; many clubs don’t discount but may run limited promotions. Always check the event’s “Notes” at checkout for eligibility and bring a government or school ID if you buy a discounted ticket. Unless specified, assume standard pricing applies.
Can I get cheap or last-minute tickets?
A. It’s possible, but not guaranteed. Strategies that often help: target weekday or late shows, look for single seats in premium rows, check back within 24–48 hours of showtime for returns, set price-drop alerts, and consider nearby cities with larger seating maps. Conversely, ultra-hot shows may climb in price near the date, so weigh “wait-and-see” against the risk of sellouts.
Will Chris D’Elia come to my city?
A. He tours broadly across clubs and theaters in the U.S. and internationally, including recent or upcoming dates in Canada and parts of Europe. New shows are added in waves based on routing and venue availability. If your city isn’t listed yet, add it to your watchlist, follow his official social accounts, and check our site weekly; metropolitan areas and strong comedy markets see new holds most often.
How long is a typical Chris D’Elia show?
A. Expect roughly 70–90 minutes for Chris’s headlining set, plus an opener of 10–20 minutes and a brief changeover. Doors often open 60–90 minutes before showtime, and clubs may have two shows per night. Plan for 1.5–2 hours in the venue, not counting arrival, parking, or the post-show exit.
Are VIP or Meet & Greet tickets available?
A. Availability changes by city. Some theater dates offer VIP packages that can include early entry, preferred seating, limited merch, or a quick photo opportunity. Quantities are very limited and may cost significantly more than standard seats, often in the $150–$350+ range depending on the market. If a VIP option doesn’t appear on a date’s listing, it’s likely not offered there.
What’s the refund or exchange policy?
A. Comedy tickets are usually “all sales final.” If a show is canceled, you’ll get a refund; if it’s rescheduled, your original tickets remain valid for the new date. Some venues allow exchanges within the same engagement for a small fee, but many do not. If your plans change, list your tickets through our secure resale to recoup costs. Always review the policy at checkout.
What fees should I expect besides the ticket price?
A. Most orders include service, facility, and sometimes order-processing fees. Many clubs also have a two-item minimum per person, which could be drinks or food; plan accordingly. Chosen delivery methods (mobile vs. will call) rarely affect fees, but shipping physical tickets can. Taxes vary by jurisdiction and are shown before you pay.
What’s the best way to stay updated on new dates or releases?
A. Follow his official Instagram, X, and YouTube, and join our tour alerts for your region. Enable push notifications and email so you see on-sales the minute they’re announced. For presales, register early, save your payment method, and be online five minutes before the window opens for the smoothest checkout.
Are seats reserved or general admission?
A. It depends on the venue. Theaters are usually reserved seating, where picking earlier increases your chance at centered, closer rows. Comedy clubs often use general admission with first-come seating by arrival time; buying early still helps, but arriving early matters more. Always read the seating note on the event page.
Is the show appropriate for all ages and is accessibility available?
A. Content is adult, with strong language; many clubs are 18+ or 21+ due to alcohol service, while theaters are commonly all ages with parental discretion. For accessibility, every venue provides ADA seating and companion options; contact us or the venue in advance for wheelchair locations, assistive listening, early entry, and any aisle needs.